Thursday, 21 June 2012
Midori is a 4-piece hardcore punk band from Japan. They're in a specific sub-genre of punk that's not too uncommon in japan known as Jazz-punk (well that's what I call it). They have the intensity of a punk band but play jazzy melodies with lots of swing notes. I've always been fascinated by this jazz-punk sub-genre, and I believe that this album may be one of the best of it's genre. The variety on this album really runs the gamut. The first song is a 44-second long acoustic, very lo-fi ballad with a cute pop-esque vocal delivery. It quickly segues into probably the most abrasive song on the album, vocally and instrumentation-wise. I absolutely love that kind of contrast. This album is full of contrast. Generally, when the vocals is more punk with screams and all, the instrumentation falls more under the jazz category, and when the vocals are pop-like, the instruments are abrasive and distorted. You'll also find a wide variety of moods, from happy up-eat sounding songs to more dark and rebellious tunes. Might as well mention some individual songs. My personal favorite is probably Himitsu no Futari, which is the jazziest of all the tracks, I find, and possibly even the most accessible. Chiharu no Koi is a very bass-driven song, starting out with a slow, 30-second plucked bass solo. The last song I wanna mention also happens to be the last song on the album, Muyoku no Muryoku. It's basically a free-form jazz song. It's by far the most experimental and ambitious of their tracks and it's almost all instrumental, so if you don't really fancy the vocalist, you might appreciate this.
9 out of 10 green-haired girls will like this.
Couldn't find any samples on Youtube, sorry. :(